MixConsole also gets a new Wave Meters view that shows you song position on every channel as scrolling audio waveforms so you don’t have to keep looking at the Project window.
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This new feature is one of those that makes you wonder how you managed without it, and for people who mix things such as live drums it’s worth the upgrade price alone. Since there’s no extra audio routing using groups or busses, things stay simple, and automating VCA faders now controls all channels assigned to them as well. You can even nest VCA faders by assigning several of them to a master.
So you can assign any number of channels to a VCA fader then use it to move them all up or down, while also retaining individual editability for each one. More conventionally found on analogue consoles, these enable gain control for multiple channel faders from a single fader, but without creating any more audio routing – they simply send DC voltage, or the digital equivalent. There’s an expanded Track Controls setup window which gives you a live preview and is split by track type, which is very helpful.Ĭubase’s mixer goes from strength to strength with the introduction of new VCA faders. The new rack can be hidden with a few clicks, though a ‘close’ button on the tabs themselves would be even better. This section is resizeable, as is the border between the track list and main project area. It’ll definitely make searching, loading and tweaking instruments easier. The virtual instrument section is great, giving you access to all the major parameters related to an instrument from a concise panel, including auto mapping to the Quick Controls in many cases.
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This is nice because it means these windows don’t have to float, although they are still available separately if you prefer. Contrast and legibility have been improved, and it feels like some of the icons are clearer in their function as well.Ĭubase has taken the first steps towards embracing a more one-window design with a new virtual instrument and MediaBay rack which can live on the right-hand side of the project window. Cubase 7.5 didn’t feel particularly like it needed much tweaking in this respect, but after using 8 you realise that it wasn’t perfect. Good Housekeeping The GUI has been cleaned up and refined as well.
This is partly thanks to ASIO Guard 2, a technology that prioritises live input tracks over simple playback ones to get better performance without constantly messing with buffer settings. It’s slick and snappy, and ASIO performance, and thus latency, has been greatly improved. Steinberg has done a lot of work on the engine at the program’s core and you can definitely tell. The first thing that strikes you about Cubase Pro 8 is that it feels quick.
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